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Laura Veirs' 'The Lookout' Offers A Buffer To A Chaotic World

Laura Veirs.
Jason Quigley
Courtesy of the artist
Laura Veirs.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Two years ago, Laura Veirs shared top billing on a collaborative album with vocal powerhouses Neko Case and k.d. lang. Their self-titled debut as case/lang/veirs gave each star equal weight and prominence, allowing the three to rotate the spotlight as singers and songwriters — a move that came with both risks and opportunities for Veirs.

The least showy singer of the three, Veirs could easily have been overshadowed by her colleagues' grand and soaring voices. Instead, her distinct presence — both airy and grounded, as always — helped hold case/lang/veirs together, while several of the songs in which she sang lead ranked among its highlights. The success of case/lang/veirs was enough to win Veirs a flood of new fans, all of whom would be wise to soak up her 10th album, The Lookout.


Once again produced by Veirs' longtime collaborator and husband Tucker Martine, The Lookout finds the singer assessing her place in an increasingly unsteady world. She does so with uncommon warmth and grace, in songs that shimmer softly without sacrificing directness or power. In "Margaret Sands," that means layering vocal harmonies and acoustic guitars into an almost impossibly cozy confection, while "Watch Fire" imports Sufjan Stevens for a double-dose of ingratiating delicacy.

If The Lookout has a central concept, it lies in the sometimes desperate pursuit of stability and comfort: Veirs fills the album with allusions to our own fragility in the face of chaos, and to the ways in which we might protect ourselves from an angry and forbidding environment. With the calm and approachable sound world of The Lookout, she and Martine craft yet another much-needed buffer against the din outside our doors.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)
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